Yeah, I’ve never read it or thought anybody would read it as that. I was worried about her even though in the rest of the film she's been the predator… What is he going to do and maybe what’s she going to do? I don’t know, did you feel that? Because of course I know what he’s going to do. I found that character fascinating because there was a lot of tension in that sequence for me, because, you know, what’s he going to do… Neil from Seven Up became our touchstone for that guy. Walter Campbell and I talked about the character who shows Scarlett's character human kindness, the man she meets at a bus stop who takes her in and makes her a cup of tea and the rest of it. … It's funny, when you have a conversation with somebody and one thing takes you to another thing. Okay, we're on the record, I've turned my dictaphone on. There's a complete lack of a sense of superiority with Glazer, which is fairly surprising considering that he's one of the most awe-inspiring British directors currently working.Īs it turns out, the intensity - of purpose, of thought - quickly arrives.
We were expecting intensity and distance, not immediate camaraderie. That is until Jonathan stops, turns and asks us: 'Are you coming?' We do as we've been told, and wait - slightly awkwardly - where we are. The PR arrives, and starts to take Mr Glazer to the room.
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